As an artist and educator, I am fascinated by the complexity of visual languages and their role in representing information. My work explores the intersection of meditative states and artistic practice, drawing on the histories of spiritual motifs, models, and aesthetic forms. Through both digital and material processes, I develop visual languages that incorporate representational systems, including charts, timetables, signs, pictographs, maps, and diagrams. My interdisciplinary practice engages in an ongoing dialogue with conceptual art, abstraction, meditative practice, embodiment, information science, consciousness studies, and the search for meaning. My work seeks to bridge the gap between phenomenological sensory experience and the symbolic systems that represent what we think we know.